Priscilla: Welcome to the doll's house [RECENZJA]

Sofia Coppola is still one of the most girly directors in the world. She has not lost the ability to feel and convey on screen the subtle and ambiguous experiences of people on the threshold of womanhood. In interesting opposition to the hyper-masculine works of his father, Francis Ford Coppola, he paints portraits of girls and young women: the fragility of their psychological makeup in Curses of Innocence, their loneliness in Lost in Translation. Lost between expectations and social duties in “Marie Antoinette” or between desire and sexual power in “Temptation.”

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