What to watch this week? Here are our reviews of the latest films released in theaters or on stage.
Lucy Grizzly Sophie : The bear and the doll
“The dark humor of the author and the playful approach of the director, both inspired by American thrillers from the 1980s, make this. Lucy Grizzly SophieA secret topic that takes on its full meaning throughout a solidly crafted story, is a delightful psychological thriller during which the audience will face their own prejudices hard,” writes our journalist Manon Dumais in her review.
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Farmers : Faces the raging crowd alone
“The characters are so sketchily portrayed, and the story is bogged down by so many ellipses, that the whole thing turns out to be devoid of consistency and charm. This thoughtful art gallery has a warm respect for TK Welchman's Polish roots, thanks to its rich soundtrack and its lively folk dances,” says our journalist Manon Dumais in her review. mentions in the review.
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Consent : The Wolf and the Lamb
“Although the author meticulously dissects the influence her tormentor had on her, the filmmaker begins to weave a collection of empty words and unhealthy ideas about love derived from Matsnef's work. A major cinematographic hit and miss, this Consent Qualified to do useful work,” explains journalist Manon Dumais in her review.
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Kina & Yuk: Foxes of the Ice : The beauty of the great north and its inhabitants
“You can't blame the film for not being present. This depiction of the consequences of climate change in the far north inspires a desire to contribute to this fight. The full movie ends: “Everything is still possible. It's up to us to act!” So writes our journalist Véronique Larocque in her review.
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Girls on the Run: The secret is in the suitcase
“Borrowing from Codes Road movie and images Sexual exploitation From the 1970s, Ethan Coen and Tricia Cook made a movie that failed miserably at entertaining. Very uncomfortable Drive-Away DollsIt's the understated style of Ari Wegner, the great director of dazzling photography. The power of the dogby Jane Campion, is a disturbing anachronism that makes light of the actresses, especially in the worst scenes of a sexual nature,” writes our journalist Manon Dumais in her review.
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