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Jessica Biel Interview , The IllusionistPosted by: Sheila Roberts
Biel was the last leading member of the cast to join and admits the role of Sophie is "so very different from anything I have done before or anything I have ever had the opportunity of doing." Her co-star, Edward Norton, shares, "She came into the process really late, and stepped up to that challenge admirably. She is an incredibly hard worker and really put in the hours with the dialect coaches. Jessica also looks very much of that period – you can see her as a country girl or as a Slavic princess. When I first saw her dressed as Sophie, she looked like she had stepped out of an old painting. She didn’t look like a modern girl at all." Biel welcomed the role departure that Sophie represented, and went after the part with zeal: "One day, out of the blue, I was asked to audition, and soon I found myself reading with Edward and it was a bit of a whirlwind actually! Suddenly, I found myself in Prague…it was all last-minute and very, very exciting." "Playing someone like Sophie is completely new for me," Biel continues. "She is very different, very fresh, and I felt like every day I was discovering a little bit more about her. Neil urged me to read Alma Mahler’s diaries – a composer herself, she was a young woman in her twenties in 1900 in Vienna. I read her diaries to really get a sense of what it was like to exist at that time; what women thought about and what in particular this woman thought about. She was very modern and very different from most of the women from that time. That is how I think of Sophie, in a way. She is a modern woman stuck in the past." So determined was Biel to inhabit her challenging new role that she also immersed herself in books such as "The Unbearable Lightness of Being" and films like "Amadeus" and "Age of Innocence." She even went so far as to keep a journal as her character, Sophie, to achieve what she called, "the calm, still layer on the surface and a bubbling brook of emotion underneath. That is how it felt like for me to try and be a woman who lived during this time in history." Ms. Biel recently sat down with me to discuss what it was like playing Sophie in the "The Illusionist." Sporting a dark blouse, a light colored skirt, and attractive gold hoop earrings that framed her face, Biel appeared relaxed and eager to talk to Movies Online about her new film. Here’s what she had to say: Q: How are you feeling? JB: Hey, I feel great! Q: It must be kind of a romantic dream playing a European Duchess in a European country that dresses like Romy Schneider? JB: It is. It was. It was fabulous. It was just so much fun. I mean I dressed up like a princess every day. And that wasn’t necessarily a goal for me as a little girl. I wasn’t necessarily princess crazy, but as an adult, it was just so fun and lovely and living in Prague for a couple months was … If I didn’t ever have to come home, I wouldn’t have. I would have stayed forever. Q: But if it wasn’t the princess, what drew you to the character in the first place? JB: I was really interested in this woman who in my opinion was stuck…this modern woman stuck in 1900…but I felt she could have easily been me just put back in a time where I was restricted by so many things…society’s restrictions and family and everything that you … all the stuff that you have to not do and not say and everything. I was intrigued with bringing that person to life. I also had only done modern characters who were very expressive and talk with their hands and this and that. With her, she’s just bubbling under the surface at every moment. There’s so much going on, but everything is placid and perfect up here [gestures towards her head] …so I was really interested in working with those elements as well as an accent which I had never done before and dressing up and really creating a person and really stepping into the shoes of someone that I really had no idea or I had no previous experience …. Q: Having never done it before, was it easier or harder than you thought it would be? JB: I think that it was probably harder than I thought. I definitely didn’t expect it to be easy. But I put a lot of pressure on myself to get the accent really right and that was a constant worry and challenge every day. So that was my main thing and creating a relationship and a love between two people in a very short amount of time that never really could express itself until one moment. And it was a challenge. It was a big challenge every day. Q: What about being the only main female in the cast? Was that a little daunting? JB: Well, maybe a little bit, a little intimidating on the first few days but it’s fun. It’s really fun to be the one female around. I mean this is a bit of a boy’s club. All of those guys kind of went to school together, and I’m a little bit younger than them, and they’re all about the same age, and they knew each other before, but they were cool. They treated me really well and kind of brought me into the inner circle. It was fun. Q: So no catering? You didn’t get the special treatment? JB: No, definitely not. (laughter) I was just treated as one of the guys which is how I would prefer it anyway. Q: Being a movie about magic, what magic tricks did you learn, if any? JB: I didn’t learn any magic tricks. Edward (Norton) learned everything. I didn’t really get to spend much time with the advising magician either. I just sort of sat back and watched him learn all of his sleight of hands and everything. He was really good too. Q: How was the audition process? I heard a story that you came in your costume. What was that like when you first auditioned for the role? JB: It was really last minute and kind of chaotic. The person who was supposed to be playing the role…I don’t know who that was or what happened, but there was an opening and literally at 6 PM one night I got a frantic call from my agent who said, ‘Can you do this audition tomorrow? Can you have an accent and can you be great?’ (laughter) Q: Wow! No pressure. (laughter) JB: I can do it! (laughter) So I went in and I read with the casting director and we worked it through, and she took the tape and sent it to Neil who was already in Prague. This was like two weeks before they were going to shoot, and he liked it, and Edward hadn’t left yet and so they brought me back the next day to read with Edward. And I just thought, ‘You know, I’ve got nothing to lose. I’ve got one opportunity. I’m going to go for it.’ So I bought this crazy outfit, fully decked from head to toe. I looked like some crazy person, you know, walking down the street and it worked. I thought either I’m going to be totally laughed at or they’re going to love it. One or the other. And I guess…I have no inhibitions at this moment and I put it out there and I walked in and I think there was a little shock at first like, [whispers] ‘Oh God, No!’ (laughter) And then Michael London (the film’s Producer) said, "Oh, thank god, well at least we have one costume out of the way!’ (laughter) And he put me at ease. ‘Ah, you love it. OK!’ And I had a good audition. And then they sent it back to Neil and I waited for four days to get this, to know ‘yes’ or ‘no,’ ‘yes’ or ‘no.’ It was ‘yes" and the next day I had to leave for Prague. Wow! Q: Where do you find a 19th century princess costume after 6 in L.A.? (laughter)
JB: Paris 1900 on Main Street in Santa Monica. It was a life saver. Q: Did you have to buy it or did you rent it? JB: I bought it. I waltzed right in there and I said, ‘I don’t care what it costs. Put it on my credit card. Dress me. (laughter) I have an hour. Let’s go.’ And I actually went back later with a bouquet of flowers and I said, ‘Thank you so much! I got it!’ Q: Have you had similar costuming experiences? (laughter) JB: You know, the only other time that I wore like a full costume, but it was still modern, was "Ulee’s Gold." I walked into "Ulee’s Gold" like totally punk rocked out. Like (inaudible) mini-skirt. I was 14 so I owned that ugly stuff anyway. (laughter) But I haven’t dressed up before. It’d be really bad to have a really horrible experience. Q: At least you got the part so it’s OK. JB: Yeah. It’s OK. Q: You’ve done quite a large range of different characters, everything from comic book characters to big action. Is there anything that you’d like to go do again or will we see you again in a comic book adaptation? Are "The Night Stalkers"… are they done? JB: I think they’re done. I think that’s over with. Nothing ever came really of "The Night Stalkers." I actually thought that maybe we would do an adaptation of that, but I don’t know. I just don’t think that the "Blade" did so well. It just didn’t do as well as everyone had hoped so no one is interested in rethinking those characters. But I’m open to it. I’m open to other comic book adaptations or big action movies. I like action movies. I like doing action movies. I think they’re fun. It’s not something I want to do all the time, but every now and again. I would even dabble in horror again if it was the right thing. Maybe more psychological horror and less gruesome. But I would never say ‘never’ to anything because I know how this business works, and you think, ‘Oh, I’m going to do this for sure and then, eeeeeeeeee! [makes high-pitched whining sound] OK, I’ll do that.’ I mean literally that’s how it’s gone every time I’ve done anything and said, ‘I’m not going to do that.’ And then, of course, I do it. Q: What are you playing in next? JB: I’m playing a school teacher. I’m playing like the most normal, sweet, strong, kind of a saucy woman who falls in love with Nick Cage’s character. But I’m actually a school teacher that once a week I work at the Havasupai Reservation so she’s really kind of interesting. And I fall in love with him because he’s been searching me out because he is a precog, and he can see into the future, and he’s been seeing this woman. He doesn’t know why when he sees this woman he can see further into the future than he usually can. And he finally finds her and he knows this is the person he’s supposed to be with so he sort of has to hang onto her. And she’s like, ‘Who are you? You’re just a creepy guy. Get away from me.’ And so he’s kind of got to woo her and they have this quick romance and the FBI are after them. It’s exciting. Q: So all the crazy stuff happens around you? JB: Yes. I’m not fighting or anything. I do a bit of running and I get kidnapped by terrorists and I get dragged around for awhile. It’s kind of great. Q: Dodging bullets? JB: Dodging bullets a little bit, but not hard core action or fighting or anything like that. Q: You’re also in a film ("Next") with Fifty Cents? JB: Yes. Q: And so can you talk about differences in maybe acting styles between Fifty Cents and Nicholas Cage? (laughter) JB: Oh, I didn’t get to work very much with Fifty ‘slash’ Curtis. Actually I didn’t work at all with him so I don’t really know what his acting style is. Nick surprised me every moment. I was on my toes at every second waiting to see what was going to happen NEXT! (laughter) Q: Wow, I bet that wasn’t rehearsed! (laughter) JB: Well, you know. (laughter) ‘Could you put this on my reel? Thank you.’ (laughter) He was so much fun. He’s so personable and he’s a total goof ball. He tells great stories. He’s just got so much to talk about. He’s super smart. And he was fun. I just sort of fell in love with him. You know, working with him was just lovely. And I didn’t get to work much with Fifty. I don’t know. Maybe he would have been like that, but that was my experience with Nick. Q: What was it like working with Edward Norton? JB: Working with Edward was incredible. He’s just so passionate about every inch of the filmmaking process. He wants to know what I’m doing, what the camera is doing, what Neil’s doing. He’s on top of it. He’s got it all figured out. And he just cares. He cares so much about it. And he was lovely with me. We had a great time. We really kind of connected and I feel like he never does the same thing twice. He’s always changing it up and switching things up and saying things differently. I’m always kind of chasing after him. I feel like always trying to… I’ll go like this [gestures] and I’m meeting him everywhere. He was amazing. Q: Did he give you…did he try to give you any direction or did he give you direction at all? JB: Yeah, he did. He did give me some direction. I asked for it, too. I said, ‘You know. Please. I’m open to it. Anything. Talk to me about what you think. Let’s collaborate on this.’ I don’t remember exactly what it was, but I do remember he’d come and he’d whisper something to me in my ear and it was always a great note. He always has great, great ideas. Q: How did being in the Czech Republic sort of inform your performance, being sort of in Europe, surrounded by all the old architecture and sort of the memories of that period? JB: It brought it all to life. It just was part of it. Everything was alive. When you step out of your trailer, and the carriages are everywhere, and all the extras are dressed up, and you look around and you are transported back to 1900 Vienna. I mean it was just amazing. It just became real. It became real. It didn’t feel silly. It didn’t feel fake. I just felt like I was a Duchess walking down the cobble streets stones just on my way to whatever it was I was doing that day. I mean it was … It would have been different if we had been in a sound stage. I mean it would have felt false. There was such a feeling of authenticity. I don’t know…it was like sticky and filled with the smells and visuals and sights and sounds and it was incredible. That was the only way I think we could have done this film. Q: What’s the coolest place you went to in Prague? JB: The coolest place? That’s a hard question because we went all over the Czech countryside which was so cool because we didn’t just see Prague. I think maybe Cesky Krumlov which is this little tiny town that had this incredible old theater that was intact. The way they used to make wind and how they would move the sets around? It was all intact in this amazing, beautiful, candlelit... I mean it was incredible. I don’t even know how old it was, but we got to go onto the stage and see that and the beautiful waterfalls, and it was this tiny, simple, faerie story, like you’re in that…what were those old movies that Shelley Duval made? Story Tale Theater? (means Faerie Tale Theatre) I felt like I was in Story Tale Theater. You know, like Snow White was going to pop out or something. It was just amazing. Q: Thank you. JB: Thanks, everybody. "The Illusionist" opens in theaters on August 18th. I invite you to read my review of the film here: and my interview with the film’s director, Neil Burger. |
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