John Travolta Interview, HairSpray

MoviesOnline recently sat down with John Travolta at the Los Angeles press day to talk about his new film, "Hairspray,” directed and choreographed by Alan Shankman. Based on the 1988 John Waters cult classic film and the critically-acclaimed, Tony Award-winning Broadway hit musical, "Hairspray” features an all-star ensemble that includes Michelle Pfeiffer, Christopher Walken, Amanda Bynes, James Marsden, Queen Latifah, Brittany Snow, Zac Efron, Elijah Kelley, Allison Janney, Jerry Stiller, Paul Dooley and Nikki Blonsky.

This new version of "Hairspray” is not without at least two traditions of the franchise’s legacy: the role of Tracy Turnblad has always been played by an unknown talent and the role of Edna Turnblad has always been played by a male actor. First it was Ricki Lake and Divine, then Marissa Winokur and Harvey Fierstein, and now, Nikki Blonsky is Tracy and John Travolta is Edna.

"Come to Mama.” With arms wide open, those were the first words actor John Travolta said to his latest leading lady, 18-year-old newcomer Nikki Blonsky, upon meeting her for the first time back in August 2006. Seeing them together, everyone involved in the production knew they were on to something special.

"Their connection was immediate,” recalls producer Neil Meron. "That first meeting exemplifies the relationship they had from the get-go. It was a bit overwhelming because it was like these two people were destined to be together in some way. We all just took a step back because we knew we were witnessing the beginning of what might be one of the greatest ‘mother-daughter’ acts of all time.”

The chemistry between Travolta and Blonsky may have been instantaneous, but the casting of Edna and Tracy Turnblad was not accomplished quite as quickly. In fact, it took more than a year for producers Zadan and Meron to convince Travolta to star in the film.

"John is the greatest movie musical star of this generation, but he was reticent for a long time because he was concerned about a return to the genre that made him a star,” says Meron. "He kept telling Craig and me that if he was to make another musical he wanted it to be a project that was not going to be ordinary in any way. Well, we just kept saying to him that John Travolta portraying Edna Turnblad would be anything but ordinary.”

"I can say being Edna was fun, but becoming Edna was not fun,” says Travolta. "I loved the effect the look had on people when they would see me on set as Edna, but I did not love the process involving the prosthetics and the fat suit. It was very uncomfortable and very hot. It was like wearing seven layers of very uncomfortable clothing, and I remember thinking I would never want to be a woman if that was the case.

One of Hollywood’s sexiest leading men, John Travolta has appeared in some of the most monumental films of our generation from "Saturday Night Fever” which launched the disco phenomenon in the 1970s to the wildly popular "Urban Cowboy” which also influenced trends in popular culture to the DePalma thrillers "Carrie” and "Blowout.” He’s been nominated for an Academy Award for his riveting portrayal of a philosophical hit-man in Quentin Tarantino’s "Pulp Fiction” and won a Golden Globe Award for Best Actor for playing the ultra cool Chili Palmer, a Mafioso-turned-movie producer in the comedy sensation "Get Shorty.”

John Travolta is a fabulous guy and we really appreciated his time. Here’s what he had to tell us about his new movie, what it was like playing the curvaceous Edna Turnblad, and that magic moment when he danced cheek to cheek with Christopher Walken:

MoviesOnline: Michelle Pfeiffer just told us that in "Stardust,” the movie she did just before "Hairspray,” she plays a 5,000 years old witch, and the producers told her not to talk to you about what it was like wearing that prosthetic make-up. Were you aware of that?

JOHN TRAVOLTA: I had already spoken to – I knew from Robin (Williams), but before Robin I knew from Martin Lawrence and two other people that had it and they said it was hell on wheels. The only thing, I was encouraged that the evolution had happened and it was much easier. I’m not so sure that’s true. [laughter]

MoviesOnline: What about dancing in those high heels?

JOHN TRAVOLTA: That was tough, and we did change the heel to more of a dance shoe, like a Capezio dance shoe. They kept on bringing these skinny high heels, I said, "Look, my mother wore those. I understand those. However, when I was growing up and I saw girls in the chorus, they had a thicker heel on. It was like a dance shoe.” And I kept on telling them to find these shoes, because I knew they existed, and finally they brought out a shoe, and I said, "Okay, that’s the shoe, make it in many colors.”

MoviesOnline: What was your first reaction when you saw yourself in full make-up and the outfit and you got out there and you had to face the music?

JOHN TRAVOLTA: Well, I’ll tell you what, I had seen it on a screen test, which I was very excited about, because when I came out, I didn’t recognize me at all. I didn’t see me in it, and I tested it on other people and said, "Now look, take a look at that. There’s this broad that we’re looking at to see if she’s going to be good for the movie,” and I let them watch for five minutes about 15 minutes of film, and I said, "What do you think of her?” They said, "She’s fun, she’s bubbly, she’s kind of cute.” I said, "Good, that’s me.” "No!” It was that kind of thing, so I knew we had a –

MoviesOnline: You’ve got these great eyes that come through (Travolta laughs) Do you think she was attractive?

JOHN TRAVOLTA: I said she just has to be pleasant to look at. I said I want a Delta Burke gone-to-flesh, her body’s like Elizabeth Taylor gone-to-flesh, meaning I wanted the obvious to be appealing, because film is different than stage. You can dress a guy on stage and you can do that joke where they’re like a refrigerator, but I don’t think that works as well at this level. I think you had to be watch-able. So it was only my own criteria that I injected.

MoviesOnline: You and Chris dancing were so lovely.

JOHN TRAVOLTA: You know we’re old Broadway hoofers. He was my first choice, and I said, "We’ve got to get Chris, because he knows the language.” So we knew that, we got that down, we could discuss all that, and basically concentrate on the characterization. It was shorthand, you know, when we got together.

MoviesOnline: When you talk about it, there’s this wonderful sense that there’s this pride in being an old hoofer. You’ve been there on Broadway and you’ve done the song and dance. Is it like a medal on the actor’s chest?

JOHN TRAVOLTA: It’s what was for Cagney, when Cagney used to say, "I was in Vaudeville,” is today’s "I was on Broadway.” It is. It’s a rite of passage of some sort. Now, I’m not saying I’m going back. It’s a tough rite of passage. I did thirteen years of it. Summer theatre, off-Broadway, Broadway, and whoa, enough is enough. It’s a lot of work, eight shows a week for a year or two at a time. But yes, I think it’s a certain rite of passage.

MoviesOnline: Can you talk a little about the accent?

JOHN TRAVOLTA: Oh that, these are the things that I fought for and I won. Her curves, because they were determined to make her look like a refrigerator, I said, "Uh Uh, it’s not going to work, I won’t do it.” I said, "I want her to look like a woman.” I said, "Imagine Elizabeth Taylor, Sophia Loren, Anita Ekbert gone-to-flesh. That’s what I want.” And I won that. I kept sending the fat-suit back and back and back. And then the face we corrected lots of time. I said, "Okay, now, the accent, I can’t do New York, because she’s from Baltimore.” I said, "But if you let me do the Baltimore accent, it has a feminine quality to it, it’s nasal, (does exaggerated accent) ‘Listen hon, everyone’s going to go downtown,’ it’s naturally effete, for men and women.” So when I won that war, that argument, I knew that I was home free. But the accent was very important to me, because I think they were expecting me to do more of a New York thing and I knew that would make it more masculine and more identifiable to John Travolta, and I didn’t want that.

MoviesOnline: Can you talk a little about working with Nikki because this is her first film?

JOHN TRAVOLTA: She’s a phenomenon; I knew it from the screen test. I showed people, I said, "Look at this girl’s like Barbra Streisand being born.” This is otherworldly. I came from a theatre family, so by the time I was seventeen or eighteen you expected a performance from me. She came from Coldstone and high school shows. This is not what you expect, that level of sophistication and knowledge and confidence. I was bowled over by it and I said, "Okay, we’re home free now.”

MoviesOnline: "Wild Hogs” was expected to do well, but no one thought it was going to be as huge a hit as it was. Were you personally surprised and are there any plans for a sequel?

JOHN TRAVOLTA: Two things, a) I was pleasantly surprised, but not that surprised and I’ll tell you why. The reason I did that movie is I said, "I want to see that movie if I’m in it or not. I want to see four guys on the road on motorcycles in a comedy, because I’ve never seen it before.” And the whole idea appealed to me, and the script was funny, I thought the choices of actors made it funnier, so it did and it didn’t. Now, I think it surprised a lot of people, including the studio because they expected maybe at best a $20 million weekend, and it ended up close to a $40 million weekend, and I think that was astonishing and it kept going, because now we’re at $250 million or something and it’s a phenomenal success. But I loved that – once in a blue moon you get an instinct about something. I’ll give you the movies I had it on, and not to say that I haven’t had a lot of other hits, but I had it on "Grease,” I had it on "Wild Hogs,” I had it on "Phenomenon,” I had it on – there’s another one that I had a surefire feeling about, what was it? "Face/Off.” And I’ve been fortunate to have had about 30 successful movies, but there’s sometimes where you just know something. "Wild Hogs” I said "It’s just going to hit.” I just think there’s a heartbeat of America that loves motorcycles, and that’s been going on for sixty years, since Marlon Brando it has been going on, but it’s been this hidden thing. And yes, there’s the real motorcycle guys, but there’s these weekend warriors, and I like them, meaning I feel like I’m a motorcycle driver and I just felt like there’s a heartbeat that had not been tapped yet in a comedy.

MoviesOnline: What about a sequel?

JOHN TRAVOLTA: Yes, they want to do a sequel.

MoviesOnline: Do you want to?

JOHN TRAVOLTA: I don’t know, I don’t know. I’m not big on sequels. I’ve done them but I like doing little things that have their own timelessness to them, classic type things, and then you go onto something new.

MoviesOnline: Aren’t you doing something called "Old Dogs”? Isn’t that about guys in midlife doing something wacky?

JOHN TRAVOLTA: The difference is this is motorcycles and "Old Dogs” is about parenting. It’s like Robin Williams doesn’t know how to parent, and I’m teaching him how to be – and I have no clue about how to be a father and I’m teaching him how to be a father. So it’s a different setting.

MoviesOnline: Are you the one who hunts the cougars in the movie?

JOHN TRAVOLTA: [laughs] Yeah.

MoviesOnline: Can you talk a little about dancing with Christopher Walken – that’s such a wonderful scene.

JOHN TRAVOLTA: We’re both light on our feet, and we both have a sense of that history that I spoke of, so once he committed to being passionate about his wife, we were home. Once he said [Does great impression of Walken] "Oh, I got it. He’s crazy about her. They’re wild in the sack.” And I said, "Yes, you got it.” Then I could react flirtatiously, and I could react to that because it was energy coming at me. Where if he had played it distant or eccentric or something, instead he played it, he’s watching me dance and he’s smiling, and all that allowed me to be – and the idea that he prefers a size 60. [laughter]

MoviesOnline: What was your favorite costume as Edna?

JOHN TRAVOLTA: I liked the polka dot dress [laughter], because it reminded me of the images I have of those screen people in the fifties, like Sophia or Anita Ekbert, that pattern was that. Most people think I would say that last number because it was awesome, like Tina Turner, but that polka dot dress seemed – I just think it defined something for me.

MoviesOnline: Why did you put in that bit from "Pulp Fiction”?

JOHN TRAVOLTA: You know, everybody thinks it’s "Pulp Fiction,” but it wasn’t. Everybody thinks it is, so you’re welcomed to buy it, but it’s ‘I got my eye on you’ (does motion with hand). Instead I did two fingers which made it give an illusion of that, you see, but if I had done one (does it), I don’t know if it would have had the same impact. I didn’t mean to, but it came out that way.

MoviesOnline: What did Kelly say about your look? Did she have any comments?

JOHN TRAVOLTA: Kelly was onto this movie before anybody. She cried when she saw "Welcome to the Sixties.” When we were coming out in those pink dresses she was bawling. I said, "Why, what’s going on there?” She said, "I don’t know what it is, it’s just so happy, and mother/daughter.” She just had a thing about it that touched her. My daughter got a kick out of Edna. As a matter of fact, when Edna was mid-dressed, the prosthetic creates a flap, so she didn’t like when I was mid-dressed, because we called her Flapper. I said, "Do you like Edna?” She said, "I like Edna, but I don’t like Flapper.” Flapper was minus the breast, minus that and just the prosthetic on the face.

MoviesOnline: Do you feel as a result of playing a woman you’re enlightened, do you feel you’ve experienced life on the other side?

JOHN TRAVOLTA: I did, and I’ll tell you why. I was so flirted with and so groped I was convinced that I’d have been a slut. [laughter] I would have said, "Go ahead, touch me, go ahead, I don’t care.” It was like a pregnant woman and everyone suddenly feels the right to touch her stomach, and it’s like, no, you don’t really have the right to touch her stomach and her breasts, it’s like, "Oh, you’re pregnant.” Who has that right, you know what I mean? But I got in that get-up and everybody was feeling me and I didn’t mind it as it wasn’t me, but I thought, "Do they remember that I’m under here?” And then I’d take it off and there was a coolness about it, it was like, "Oh, him. I liked that other person.”

MoviesOnline: Did you ever wear it out?

JOHN TRAVOLTA: Nah, listen, it was so uncomfortable to be in. It was enough on the set.

MoviesOnline: Career-wise do you think, "Okay, now I’m going to be playing this woman in this movie – where do I go from here”? Did you think about that at all or that maybe you’ve gone over the edge in terms of craziness?

JOHN TRAVOLTA: No. I’m the first guy who’s really played an actual woman on screen, but I don’t think I’m the first guy who’s acted as a woman. There’s Robin and there’s Dustin and Tony Curtis. This has been a done thing. The only real difference is I’m actually playing a woman versus drag.

MoviesOnline: What’s next for you?

JOHN TRAVOLTA: Let’s see, what’s next? "Old Dogs,” and then "Dallas” I think will be up next, because they kind of have to do that movie. They’ve got five drafts and scripts and I’m meeting tomorrow with the director. Hopefully this director and this new writer will get it right, but they want to go after the New Year.

MoviesOnline: Any other casting at this point?

JOHN TRAVOLTA: No. They really want to get - I’m the only one that they were completely sold on, and I signed. I’m already signed to do it. I can’t get out of it, unless the dates are so far off, then I can.

MoviesOnline: If you didn’t like the script, you could get out?

JOHN TRAVOLTA: Yes, those two things. But what I’m saying is that if there’s a script that’s good enough to do, then I would be bound to that.

"Hairspray” opens in theaters on July 20^th.