Baby Mama Movie Review

Instead of the dick and fart jokes audiences have become accustomed to in an Apatow and Ferrell dominated comedy world, Baby Mama offers up some vagina and menstruation jokes; which for the most part are delivered quite well.   Constant hilarity ensues when the two affable leads are on screen together, but the film lags with formulaic garble when they are forced to deal with their other less comedically inclined co-stars.

Choosing career over family, Kate Holbrook (Tina Fey) finds herself single at the age of 37 and wanting a baby.  Unable to naturally carry a fetus of her own, she turns to a surrogate mother agency run by the insincere and surprisingly fertile Chaffee Bicknell (Sigourney Weaver in another strong comedic role). 

She is matched with the white-trash, karaoke singing Angie (Amy Poehler), who after impregnation, breaks up with her retarded boyfriend Carl (Dax Shepard) and moves in with Type-A personality Kate where comedy antics ensue. 

While the actual script isn’t particularly strong, featuring some weak jokes and uninspired character arcs, the performances make Mama worthwhile.  Tina Fey has mastered the straight-man role, radiating condescension and delivering consistently amusing reaction shots.  There are very few actresses who could use the word “taint” in such an inspired manner.  Also, Amy Poehler embraces her ignorant stereotype with gusto, keeping her over-the-top character surprisingly grounded, which only makes the sincere delivery of such bizarre dialogue that much more amusing.  When the two are acting off of each other, the film shines, offering often relentless humour. 

Perhaps this natural chemistry between the leads is what makes the other exchanges throughout the film so unwelcome.  Sequences involving Steve Martin and Dax Shepard are almost always void of energy, and Fey’s relationship with Greg Kinnear feels somewhat forced.